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Putting YMI on the Map: The YMI Cultural Center History Project E-mail
Tuesday, 17 April 2007

What difference can a book make? A lot of difference-according to Harry Harrison, Executive Director of the YMI Cultural Center.

Harrison arrived at the YMI in April 2006 and held a staff retreat in June. The resulting vision statement: “Within the next five years, the YMI Cultural Center will re-tool itself and emerge as a leading historic destination and attraction in Asheville, NC.”

“Collaborating with Biltmore Estate... the YMI will publish its own book, organize relevant exhibits, set standards for excellence in education, present engaging performances, and produce memorable media expressions to satisfy our eager supporters and the community,” says Harrison.


Darin Waters, PhD candidate and researcher and (right), Harry Harrison, YMI Executive Director, stand in the hall of the historic YMI Cultural Center.   Photo by Renato Rotolo
The needs are quite visible. Currently there are no significant publications about the YMI. The few brochures, magazine articles, and honorable mentions available are incomplete and sometimes contain inaccurate information. Furthermore, very little is recorded about the African American craftsmen who actually constructed the YMI building, which is why a well-researched book is at the center of Harrison’s development plan.

Harrison began looking for a history scholar and found Darin J. Waters, a PhD candidate at UNC-Chapel Hill. His dissertation title is “African Americans in Asheville 1880-1930: Community Development in the Era of Benevolent Paternalism and Progressive Reform.” His research examines social traditions, demographics, labor conditions and practices, and race relations during the turn of the century in Asheville with an emphasis on the YMI’s central role in developing African-American cultural heritage.

How is YMI Unique?


“My challenge along with Darin is to find out whether this might be the oldest African-American cultural center in the U.S., “ Harrison declared. “Penn Center in S.C. is older, but it started as a training center for freed slaves, founded in 1862. It is my belief that the YMI is one of the oldest African-American cultural centers in the country, and I want to substantiate that. The YMI was never affiliated with a college, university, or faith based organization; it is free-standing... and has always been a center for cultural and economic improvement,” Harrison stated.


Furthermore, Harrison notes that its development was unusual during a tumultuous time.

“Comparatively speaking, there were other philanthropists who supported Historical Black Colleges and Universities (HBCU’s) in the south, but support for a free-standing African-American community center was rare 30 years after the Civil War.”


“What is so unique about this center is that it had rental or lease space on the lower level, for other businesses,” Harrison continued. “There were medical offices, libraries, a dentist’s office, a drugstore, all within this cultural center facility-truly a catalyst for economic growth in the African American community. There was also a night school for adults, a day school and kindergarten, a Sunday school, library, gymnasium, swimming pool, and meeting and reading rooms. It served the entire African-American community of Asheville.”


Mimi Cecil, a former YMI Board member and wife of William Cecil, who owns the Biltmore Estate, put Harrison in touch with contacts at the Estate. Chuck Pickering, Executive Vice President of the Biltmore Company was pleased to support the collaboration and gave Harrison permission to work with his staff and to access the Biltmore Estate archives. “The research we are conducting with YMI is really exciting for Biltmore. We have a rich history together and working with the YMI’s team has allowed us to focus our efforts on learning more,” said Pickering. “We look forward to sharing this incredible story with the public upon completion.” UNC -Asheville, Pack Library, and Appalachian State have pieces of the puzzle as well.


Reconstructing the Stories


Harrison’s goal is “to reclaim, re-collect, and re-tell the dynamic century-old history of the YMI Cultural Center and create energized programming to secure its future.” And he’s ready to ask the right questions. “I’m looking for architectural renderings and drawings,” Harrison said. “I would also like to know where the residents who had connections with the YMI stayed. Also, who owned some of the businesses that operated out of the YMI building?”


Dynamic and well thought out questions are only the beginning.


“We want to do kiosks and visuals to let people know who the general secretaries of the YMI were - like a walking history lesson. We’ll design educational curricula for the public schools; perhaps a virtual tour. A shared tourist program between Biltmore and YMI will be established. Students can learn North Carolina history that isn’t in the history books. We want to show that African Americans had a presence here in Western N.C.”


Archival research may also lead to re-enacting Sunday afternoons at the YMI, with contemporary choirs singing popular songs from the past.


“The vision has four components: history, education, building an endowment, and capital improvements. Within five years, this will be a destination point for tourists,” Harrison declared. “The YMI needs more recognition. It’s over 100 years old. The whole area will benefit.” The YMI forecasts a 25-40 percent increase in visitors once initiatives have been set into place.


Funding the Vision


Writing a book of the kind Harrison envisions requires research, time, and funds. As a graduate student with a family, Waters would have had to teach at the same time as doing the research for his dissertation and the book, requiring a minimum of three years. That’s when Cynthia and Joseph Kimmel stepped into the picture. Cynthia Kimmel is involved in the YMI, is a friend of Harrison’s, and supports his vision. Kimmel has a keen interest in African American history and is fascinated by Asheville’s unique post-Civil War experience. She met Waters last November and immediately felt confident that he would do an outstanding job of research and writing. “Darin Waters is impeccably principled, bright, articulate, honorable, and trustworthy-and he and his family are from Asheville. We want him to succeed!” says Kimmel. By freeing him from teaching, the project will be done in a year and a half.


Kimmel and her husband have been supporters of the YMI, the Center for Diversity Education, the Fine Arts League of Asheville, Buncombe County Medical Society, the Asheville Art Museum, Black Mountain College, and Quality Forward. They sponsor a portion of Project Access under Buncombe County Medical Society, making medical services available to low income people. Their biggest area of giving is education, contributing funding to UNC-A and Western North Carolina University. Joseph Kimmel works in the construction management field and is starting a new construction management, engineering, and technology school at WNCU. They fund scholarships as well.


“We want to bring greater awareness to the YMI and inform the community more deeply about its history,” Kimmel continued. “Even some African-American friends of mine haven’t heard of it! By funding Darin’s research, we are priming the pump in hopes that others will also step forward to know and support this project. We hope that anyone in the community who may have historical documents or archives relating to the early history of the YMI in their family basements will contact Darin.”


Support the YMI


If your agency or charitable foundation would like to support this important restorative history project, please contact Harry Harrison, Executive Director of the YMI Cultural Center at 828-257-4542.


If you would like to become a member of YMI, please visit www.ymicc.org. A year long $35 membership includes substantial discounts for all programs, discounts on space rentals, and information on programs via mailings and email. Lifetime membership is $1500. 
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